Abstract
This essay intends to apprehend the figure of the character-narrator of Memórias póstumas de Brás Cubas through the analysis of its three main determinations: the free style of the deceased author, the phenomenology of the underground man, and the apprehension of the social type. The relationship between these different approaches (constructive, existential and sociotypological) is not one of mutual exclusion, but rather a dialectic one. The result is intended to be the concrete concept, in the Hegelian sense of multiple determination.
Resumo
This article requires a subscription to view the full text. If you have a subscription you may use the login form below to view the article. Access to this article can also be purchased.
Log in using your username and password
Log in through your institution
You may be able to gain access using your login credentials for your institution. Contact your library if you do not have a username and password.
If your organization uses OpenAthens, you can log in using your OpenAthens username and password. To check if your institution is supported, please see this list. Contact your library for more details.
Purchase access
You may purchase access to this article. This will require you to create an account if you don't already have one.
In this issue
Jump to section
Related Articles
Cited By...
- No citing articles found.