Woman-Body-Paint

Works Cited

1. 1. Coelho Maria Luísa

   . “The Eccentric Portraits of Helena Almeida.” Feminine Singular: Women Growing up through Life-writing in the Luso-Hispanic World. Ed. Williams Claire, Blanco Maria-José. Oxford: Peter Lang, 2017. 311–40.
2. 1. Battersby Christine

   . The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity. New York: Routledge, 1998.
3. 1. Butler Judith

   . Gender Trouble: Feminism and the Subversion of Identity. [1990]. New York: Routledge, 1999.
4. 1. Carlos Isabel

   , ed. Helena Almeida: Dias quasi tranquilos. Lisbon: Caminho, n.d.
5. 1. Carlos Isabel

   ,. ed. Intus: Helena Almeida. Civilização Editora, 2005.
6. 1. Chave Anna C.

   “Minimalism and the Rhetoric of Power.” Arts 64.5 (1990): 44–63.

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7. 1. Chevalier Jean,
   2. Gheerbrant Alain

   , ed. The Penguin Dictionary of Symbols. [1982]. Trans. Buchanan-Brown John. London: Penguin Books, 1996.
8. 1. Cixous Hélène

   . “The Laugh of the Medusa.” [1975]. New French Feminisms. Ed. Marks Elaine, Courtivron Isabelle de. Brighton: Harvester Press, 1981. 245–64.
9. Ferreira Ana Paula. “A urgência de contar: Casos de mulheres, anos quarenta.” Sexto congresso da associação internacional de lusitanistas. 1999. http://www.geocities.ws/ail_br/urgenciadecontar.htm.
10. 1. Irigaray Luce

    . This Sex Which Is Not One. [1977]. Trans. Porter Catherine, Burke Carolyn. Ithaca, NY: Cornell UP, 1985.
11. 1. Irigaray Luce

    . Je, Tu, Nous: Toward a Culture of Difference. [1990]. Trans. Martin Alison. New York: Routledge, 1993.
12. 1. Kelly Mary

    . “On Sexual Politics and Art.” [1980]. Framing Feminism: Art and the Women’s Movement 1970–1985. Ed. Parker Rozsika, Pollock Griselda. London: Pandora Press, 1987. 303–12.
13. 1. Kristeva Julia

    . “Giotto’s Joy.” [1972]. Desire in Language: A Semiotic Approach to Literature and Art. Trans. Gora Thomas, Jardine Alice, Roudiez Leon S. Ed. Roudiez Leon S. New York: Columbia UP, 1980. 210–36.
14. 1. Kristeva Julia

    . Revolution in Poetic Language. [1974]. Trans. Waller Margaret. New York: Columbia UP, 1984.
15. 1. Kristeva Julia

    . “A New Type of Intellectual: The Dissident.” [1977]. The Kristeva Reader. Trans. Hard Sean, Roudiez Leon S. Ed. Moi Toril. Oxford: Blackwell, 1989. 292–300.
16. 1. Kristeva Julia

    . Desire in Language: A Semiotic Approach to Literature and Art. Trans. Gora Thomas, Jardine Alice, Roudiez Leon S. Ed. Roudiez Leon S. New York: Columbia UP, 1980.
17. 1. Melo Alexandre

    . Artes plásticas em Portugal: Dos anos 70 aos nossos dias. Algés: Difel, 1998.
18. 1. Meskimmon Marsha

    . The Art of Reflection: Women Artists’ Self-Portraiture in the Twentieth Century. London: Scarlet Press, 1996.
19. 1. Molina Ángela

    , ed. Helena Almeida: Aprender a ver/Learning to See. Porto: Mimesis, 2005.
20. 1. Pernes Fernando

    . “Helena Almeida: Corpo(s) e alma(s)/Body(ies) and Soul(s).” Dentro de mim: Helena Almeida. Porto: Galeria Presença, 1998.
21. 1. Phelan Peggy

    . “Helena Almeida: O interior de nós.” Intus: Helena Almeida. Ed. Carlos Isabel. Civilização Editora, 2005. 62–92.
22. 1. Phelan Peggy

    . “The Returns of Touch: Feminist Performances 1960–80.” WACK! Art and the Feminist Revolution. Ed. Butler Cornelia. Los Angeles: MOCA and The MIT Press, 2007. 346–61.
23. 1. Pollock Griselda

    . “Inscriptions in the Feminine.” Inside the Visible: An Elliptical Traverse of the 20th Century Art, in, of and from the Feminine. Ed. Zegher M. Catherine de. Cambridge: The MIT Press, 1996. 67–87.
24. 1. Pombeiro João

    . “A nossa mulher em Veneza.” Grande reportagem June 11, 2005: 23–30.
25. 1. Ribeiro Eunice

    . “Poéticas do retrato: O desgaste das figuras.” Diacrítica 22.3 (2008): 265–322.

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26. 1. Sardo Delfim

    , ed. Helena Almeida: Pés no chão, cabeça no céu/Feet on the Ground, Head in the Sky. S. Mamede do Coronado: Bial, 2004.
27. 1. Schneemann Carolee

    . More than Meat Joy: Performance Works and Selected Writings. Ed. McPherson Bruce R. Kingston, NY: McPherson and Co, 1997.
28. 1. Seixas Maria João

    . “Helena Almeida: A sagração do lugar.” Bes Photo 2004: Centro Cultural De Belém, 20.1–27.2 2005: Helena Almeida, Nuno Cera, Vitor Pomar, João Tabarra. Ed. Valente Mário. Fundação Centro Cultural de Belém, Banco Espírito Santo, 2004. 27–33.
29. 1. Sousa Ernesto de

    . “Helena Almeida e o vazio habitado.” [1977]. Ser moderno … em Portugal. Lisbon: Assírio e Alvim, 1998. 155–65.
30. 1. Vidal Carlos

    , 1996. Carlos. “Obsessão da pintura: Uma perspectiva crítica da obra de Helena Almeida.” Arte e leilões 37 (1996): 16–18.

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31. 1. Vidal Carlos

    , 1996. Carlos. “Helena Almeida: Pecado, expiação, redenção (uma mulher em tempos sombrios).” Imagens sem disciplina: Meios e arte nas últimas décadas. Lisbon: Vendaval, 2002. 13–34.
32. 1. White Anthony

    . Lúcio Fontana: Between Utopia and Kitsch. Cambridge, MA: The MIT Press, 2011.
33. 1. Woodall Joanna

    , ed. Portraiture: Facing the Subject. Manchester: Manchester UP, 1997.