On the Matter of the Concept

Works Cited

1. 1. Alvarez Mariola V.

   “The Anti-Dictionary: Ferreira Gullar’s Non-Object Poems.” Nonsite.org 9 (April 2013). http://nonsite.org/feature/the-anti-dictionary-ferreira-gullars-non-object-poems.
2. 1. Bishop Claire

   . Participation (Documents of Contemporary Art). Cambridge, MA: MIT Press, 2006.
3. 1. Brett Guy

   . “Lygia Clark: In Search of the Body.” Art in America 82 (1994): 56–108.

   OpenUrl
4. 1. Brown Bill

   . “[Concept/Object] [Text/Event].” ELH 81.2 (2014): 521–52.

   OpenUrl
5. 1. Brown Bill

   . “Thing Theory.” Critical Inquiry 28.1 (2001): 1–22.

   OpenUrlCrossRef
6. 1. Campos Augusto de,
   2. et al

   . “Plano-piloto para poesia concreta.” Teoria da poesia concreta: Textos críticos e manifestos 1950–1960. São Paulo: Edições Invenção, 1965. 154–56.
7. 1. Castro Amílcar de,
   2. et al

   . “Manifesto neoconcreto.” Jornal do Brasil, Suplemento Dominical, 23 Mar. 1959. 4–5.
8. 1. Clark Lygia

   . “Lygia Clark.” www.lygiaclark.org.br.
9. 1. Gullar Ferreira

   . Arte concreta e neoconcreta, da construção a desconstrução: Concrete Art and Neo-Concrete Art, From Construction to Deconstruction. São Paulo: Dan Galeria, 2006.
10. 1. Gullar Ferreira

    . Experiência neoconcreta: Momento limite da arte. São Paulo: Cosac Naify, 2007.
11. 1. Gullar Ferreira

    . Ferreira Gullar in Conversation with = En conversación con Ariel Jiménez. Caracas: Fundación Cisneros, 2012.
12. 1. Gullar Ferreira

    . “Não custa nada imaginar que uma nova arte está para nascer.” Folha de São Paulo, 11 Dec. 2016. Web.
13. 1. Gullar Ferreira

    . O formigueiro. Rio de Janeiro: Edição Europa, 1991.
14. 1. Gullar Ferreira

    . “Teoria do não-objeto.” Jornal Do Brasil, Suplemento Dominical, 19 Dec. 1959. 1.
15. 1. LeWitt Sol

    . “Paragraphs on Conceptual Art.” Conceptual Art: A Critical Anthology. Ed. Alberro Alexander, Stimson Blake. Cambridge, MA: MIT Press, 1999. 12–17.
16. 1. Martins Sérgio Bruno

    . “Phenomenological Openness Historicist Closure: Revisiting the Theory of the Non-Object.” Third Text 26.1 (2012): 79–90.

    OpenUrl
17. 1. Merleau-Ponty Maurice

    . Phenomenology of Perception. Trans. Smith Colin. New York: Routledge, 2005.
18. 1. Moura Flávio

    . “Mário Pedrosa e o neoconcretismo: A centralidade de um projeto crítico.” Novos Estudos 99 (2014): 137–57.

    OpenUrl
19. 1. Perrone Charles A

    . Seven Faces: Brazilian Poetry Since Modernism. Durham, NC: Duke UP, 1996.
20. 1. Price Rachel

    . The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868–1968. Evanston, IL: Northwestern UP, 2014.
21. 1. Ramírez Mari Carmen

    . “Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960–1980.” Global Conceptualism: Points of Origin 1950s–1980s. Ed. Camnitzer Luis, et al. Queens: Queens Museum of Art, 1999. 53–71.
22. 1. Silva Renato Rodrigues da

    . “Ferreira Gullar’s Non-Object, or How Neoconcrete Poetry Became One with the World.” Word & Image 29.3 (2013): 257–72.

    OpenUrl
23. 1. Spanúdis Theon

    . “Poesia neoconcreta.” Jornal Do Brasil, Suplemento Dominical 23 Mar. 1959. 1.