Research ArticleArticles
When Paths Cross
The Embodied National Crisis in the Representation of the Sertanejo in Graciliano Ramos’s Vidas secas & Euclides da Cunha’s Os sertões and “Judas Ahasverus”
Poema Quesado Valente Meyer
Luso-Brazilian Review, June 2018, 55 (1) 85-102; DOI: https://doi.org/10.3368/lbr.55.1.85
Poema Quesado Valente Meyer
Department of Spanish and Portuguese, 5319 Dwinelle Hall, University of California, Berkeley, Berkeley, CA 94720-2590,
Works Cited
- Agamben Giorgio
- Amado Jorge
- Bauman Zygmunt
- Benjamin Walter
- Bernardes Denis de Mendonça
- Bernucci Leopoldo
- Candido Antonio
- Chauí Marilena de Souza,
- Rocha André
- Cunha Euclides da
- Cunha Euclides da
- David Mike
- Finazzi-Agrò Ettore
- Hardman Francisco Foot
- Hecht Susanna Bettina
- Intersimone Luis Alfredo
- Kury Adriano da Gama
- Machado Duda
- Maia João Roberto
- Melo Ana Amélia M. C.
- Monteiro Jorge Lucas Souza
- Mourão Rui
- Pacheco Alexandre
- Piza Daniel,
- et al.
- Queiroz Rachel de
- Queiroz Rachel de
- Ramos Daniele
- Ramos Graciliano
- Ramos Graciliano
- Ramos Graciliano
- Ramos Ricardo
- Rego José Lins do
- Rosaldo Renato
Letras De Hoje 51.4 (2016): 482–90.- Sá Lúcia
In this issue
Luso-Brazilian Review
Vol. 55, Issue 1
1 Jun 2018
When Paths Cross
Poema Quesado Valente Meyer
Luso-Brazilian Review Jun 2018, 55 (1) 85-102; DOI: 10.3368/lbr.55.1.85
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