<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Saramago, Victoria</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">&lt;strong&gt;Sá Carvalho, Carolina.&lt;/strong&gt; &lt;em&gt;Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America.&lt;/em&gt;</style></title><secondary-title><style face="normal" font="default" size="100%">Luso-Brazilian Review</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2026</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2026-04-01 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">E17-E19</style></pages><doi><style  face="normal" font="default" size="100%">10.3368/lbr.62.2.e17</style></doi><volume><style face="normal" font="default" size="100%">62</style></volume><issue><style face="normal" font="default" size="100%">2</style></issue><abstract><style  face="normal" font="default" size="100%">You do not have access to the full text of this article, the first page of the PDF of this article appears above.</style></abstract></record></records></xml>