Image and counter-image: the place of Salazarist images of national identity in contemporary Portuguese visual culture

EW Sapega - Luso-Brazilian Review, 2002 - lbr.uwpress.org
Neste artigo, siwo-me de teorias da cultura visual para exarninar a constnqb ea recep@ o
de alguns conhecidos monumentos da arquitectura e da arte publica em Portugal que …

Consensus and Debate in Salazar's Portugal

EW Sapega - 2008 - uwestminsterpress.co.uk
{Ellen Sapega's study documents artistic responses to images of the Portuguese nation
promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar …

The visible and the invisibles: Photography and social imaginaries in Brazil

B Jaguaribe, M Lissovsky - Public Culture, 2009 - read.dukeupress.edu
This essay offer a comparative analysis of three sets of photographs made in different
periods of Brazilian history: portraits of urban slaves made by the photographer Christiano …

[BOOK][B] Consensus and debate in Salazar's Portugal: Visual and literary negotiations of the national text, 1933–1948

EW Sapega - 2016 - books.google.com
Ellen Sapega's study documents artistic responses to images of the Portuguese nation
promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar …

Architecture and the production of postcard images: Invocations of tradition versus critical transnationalism in Curitiba

C Irazabal - The End of Tradition?, 2004 - taylorfrancis.com
Here is urban renewal with a sinister twist, an architecture of deception which, in its happy-
face familiarity, constantly distances itself from the most fundamental realities. The …

Design vernacular urbano: a produção de artefatos populares em São Paulo como estratégia de comunicação e inserção social

A Valese - 2007 - repositorio.pucsp.br
This research intends to investigate the Urban Vernacular Design, and the relations
established taking it as a starting point, with socity and culture. We understand that: Urban …

State formation, visual technology and spectatorship: Visions of modernity in Brazil and Argentina

J Andermann - Theory, Culture & Society, 2010 - journals.sagepub.com
How can we conceive of the relation between technologies of image-making and the
formations of political power, without reducing the former to merely superstructural effects of …

Janelas que se abrem para o mundo: fotografia de imprensa e distinção social no Rio de Janeiro, na primeira metade do século XX

AM Mauad - EIAL-Estudios Interdisciplinarios de América Latina y el …, 1999 - eialonline.org
Abstract" Primeiro fomos mais ou menos lisboetas, com o mundanismo. Depois londrinos e
parisienses, agora somos new-yorquinos e hollywoodenses. O que chamava antigamente …

Facing Brazil: The Problem of Portraiture and a Modernist Sublime

E Gabara - CR: The New Centennial Review, 2004 - JSTOR
THE 1998 SÃO PAULO BIENAL, ORGANIZED BY PAULO HER international curators of the
different portions of the in some way to Brazilian literary modernist Oswald" Anthropophagist …

[PDF][PDF] Envisioning a “Whitened” Brazil: Photography and Slavery at the World's Fairs, 1862–1889

S Schuster - EIAL-Estudios Interdisciplinarios de América Latina y el …, 2015 - eialonline.org
Between 1862 and 1889, the Brazilian elite perceived international exhibitions as an
opportunity to promote and project an idealized image of the “modern nation”. By displaying …